This one was made for long-time Mexican Roy Mata of Black Congress.  Its a combo pedal starting with a vintage Foxx Tone Machine circuit on the right.  The Tone Machine was this absolutely killer fuzz from the seventies that’s always been semi-hard to come by.  Gibbons used them and so did PFunk and Frampton! Its *kinda* like a big muff, but also not like a big muff all in the same and so it winds up being a kickass option for people that want that muff sound with a bit of variation.  The sonic differences are that this guy has a much more flat tone stack so its not missing the mids, like a muff is known for.  Also the fuzz is a bit more *fuzzy* to me…less smooth. The originals included a toggle switch to turn on a zany octave-up type of effect, but Roy didnt want that so I left it off.  Following that in the chain is what else but a boost!  Sometimes you just want the fuzz and sometimes you just want people to shit themselves.  This one has you covered.

Post title stolen from Chester Soria!